Juniors from Motion Picture Photography

We had some very nice relationship with our junior students and especially from the Motion Picture Photography course. They often got in touch with us if they had any doubts to clear and we sought their help when we needed some still photographic prints to be made.

A.S. Kanal, K K Maitra, Sudhir Choudhary, Siba Naryana Mishra, Narayana J. Kondra, Ashok Krishna Malik and Anil Jain Satish Aima were our juniors in the First Year M.P.P. course. A.S. Kanal is now running Vikshi Institute of Media Studies at Pune and I often keep in touch with him and we met several times in Mumbai in Cinematographers Combine Programmes and in Pune at the FTII. Also I have contributed articles for "The Cinematographers Handbook" edited by him. Anil Jain Satish Aima was a very handsome guy who was mostly found in the company of acting students. Some time after the group photo of that period was put up in my blog I received a mail from Delhi, sent by Anil Jain who was happy to be taken back to those times. Though I had known Sudhir Choudhary we became thick friends only in my final year and I will write about it later.

Some of the few dayscholars from Pune attending the Institute were my classmates R.S.Agarwal, Debu Deodhar and Narayana J. Kondra from the first year. Later on while I was shooting my first Hindi film PATITA directed by I.V. Sasi in Mumbai, I needed a Focussing assistant and it was my classmate K.K. Jaiswal who suggested Kondra's name. He worked with me in that film and we didn't, have further contacts as I was mostly concentrating on Malayalam films. I happened to meet him again in Mumbai during the Cinematographers Combine Program in October, 2003. Recently I met him in June 2010 at the CAS Presentations Program organized by Cinematographers Combine at Mumbai.

N.J.Kondra

Myself and Kondra at CAS

The Program was also an occassion to meet many friends from the Film Institute such as Kanal, Jaiswal etc. I also met after thirty years my senior at the Institute S.R.Krishna Murthy who had done part of the reshoot of my film PATITA in my absence at that time, while he was working with Producer Pramod Chakraborty in Mumbai.

With S.R.K.Murthy

Library at the Institute

The library at the Institute was really a repository of knowledge, filled with number of technical magazines, technology and many other rare books. Reading books from the library was an eagerly awaited activity, especially the journals like American Cinematographer, Popular Photography, Sight and sound etc. Books like Five 'C' of cinematography, Focal Series on Cinematography , special effects, Technique of Film Editing, by Karel Reisz were all much in demand.

There were also some gems of rare books which I had borrowed and copied down important portions. Some of those handwritten manuscripts are still with me. After completing the course at Pune, I have started working in the Madras film industry. I found that the American library there had a vast collection of film books and magazines. I became a member there and a regular visitor browsing through American Cinematographer and other magazines. During the extreme hot summer months the super cool air conditioned library was a favourite refuge for me. The proximity of the Woodlands Drive-in restaurant took care our stomach and on some days short film screening were also held there as added attraction.

When I had started earning sufficiently, I took out subscriptions for American Cinematographer magazine and SMPTE Journals, which had helped me to keep up with up to date information. Reading of books, not only technical one, others like literature etc had really expanded my knowledge to a great extent. It had reshaped my way of thinking too.

This reading habit still continues with me , now with a slight change - the Internet is an ocean of knowledge and I am flooded with information and getting drowned!
he library at the Institute was really a repository of knowledge, filled with number of technical magazines, technology and other books. Reading books from the library was an eagerly awaited activity, especially the journals like American Cinematographer, Popular Photography, Sight and sound etc. Books like Five 'C' of cinematography, Focal Series on Cinematography , special effects, Technique of Film Editing, by Karel Reisz were all much in demand.

There were also some gems of rare books which I had borrowed and copied down important portions. Some of those handwritten manuscripts are still with me. After completing the course at Pune, I have started working in the Madras film industry. I found that the American library there had a vast collection of film books and magazines. I became a member there and a regular visitor browsing through American Cinematographer and other magazines. During the extreme hot summer months the super cool air conditioned library was a favourite refuge for me. The proximity of the Woodlands Drive-in restaurant took care our stomach and on some days short film screening were also held there as added attraction.

When I had started earning sufficiently, I took out subscriptions for American Cinematographer magazine and SMPTE Journals, which had helped me to keep up with up to date information. Reading of books, not only technical one, others like literature etc had really expanded my knowledge to a great extent. It had reshaped my way of thinking too.

This reading habit still continues with me , now with a slight change - the Internet is an ocean of knowledge and I am flooded with information and getting drowned!

Another friend passes away

One of our senior most Film Institute graduate, director Aziz (P.M. Abdul Aziz) passed away at his residence on Saturday, April 18, 2010. He was 75.

He was one of the first FTII graduates from Kerala to direct a feature film. AVAL (1967) featured Madhu, Adoor Bhasi, K.P. Ummer, Bahadur and Usha Nandini. Scripted by Thoppil Bhasi, the film had songs written by Vayalar Rama Varma, Music by G. Devarajan. and cinematography by Mankada Ravi Varma. His other feature films were NJAVALPAZHANGAL, ATYUNNADHANGALIL KOODARAM PANITHAVAR and MAANPEDA. Later on he went on making documentaries, produced and directed 37 of them.

He started his career as a school teacher. His interest in art and culture made him leave his job and plunge into theatre. Chaverppada, written by him, won the Kerala Sahitya Akademi award in 1973. The play was staged at a national theatre festival in 1975. He directed TV productions including Sayahna Kodathi, Kavikal Kalpanakal and Ennappadam.

He is survived by his wife, a son and two daughters.

I met Aziz in 1972 while I was staying at Madras sharing a flat with Prabhakaran and K.G George both alumni from the Institute. As it was also frequented by others from the Institute like John Abraham and Editor Ravi, our place was nicknamed POONA HOME by Malayalam Actor Adoor Bhasi who was also our neighbour. Aziz used to come there to meet Prabhakaran who was also the Producer of the film MAANPEDA directed by Aziz. During one of his visits, he asked me to work in a Documentary for the Government of Kerala, titled "Tribal Life in Kerala" in Eastman colour. For that documentary we had travelled right from Thenmala in the south of Kerala to Kannur at the northern end. We did cover a large number of tribes in Attapady and Sultan's Battery too. It was a very interesting and unforgettable experience walking through the forests and climbing mountains to meet those remote tribal people.

Once, after our shoot at deep jungle area in Kannavam forests, near Kannur , we lugged our equipments back for many kilometres, to find our only car's tyre flat and there was no spare tyre either. Also we did not have a jack to lift the car. It was getting dark and we were a few kilometres away from the nearest road. With the help of the people we lifted the car, placed some stones underneath it, and removed the tyre. The driver then rolled it to the nearest road, caught a bus, got the puncture repaired and finally returned at 10 PM. Till then we were waiting in the jungle with a campfire to protect us from the wild animals.

When the film's negative was being it was found that a roll of 400 feet colour negative was found missing from the editing room. Inspite of many days of searching it was not to be found and we had only the black and white rush print of the missing footage with us. With the deadline approaching, we had no other go but to make dupe negative from the black and white print and while printing appropriate colour tints were added to make it look like a colour film! Months after the print was handed over to the Government department, the missing roll of colour negative was discovered in the editing room. By then it was too late to do anything.

When he showed the film for approval, the authorities insisted on including few shots of the concerned Minister too. At that time I was in Madras and with my consent he hired a camera and cameraman from Trivandrum to take the shots of the Minister at the Secretariat but he could get only a few bits of black and white negative ! Finally I had to print those shots too with a sepia tint to make it a colour film.

Later on I used to meet him often at the International Film Festival of Kerala , last time being a few years back. I convey my heartfelt sympathies to the bereaved family members.

I pray for his Soul to Rest in Peace

50 Glorious Years of Film Institute

FTII is celebrating the Golden Jubilee Year from 20 th March 2010 onwards at Pune. I really miss being there meeting old friends and teachers and taking part in the celebrations. Any how I will plan and come there for one of the major functions as this is going to be a year long activity.

My Best Wishes to all those who are fortunate enough to be present there !

May the Institute grow up bigger and bigger like the Wisdom Tree and spread its branches all over the world!

A friend invites after 42 years

I first met Kabeer Raothar in 1968 when I joined the Film Institute and he was senior to me by one year and was studying in the Second Year Film Direction Course. He immediately took over the role of a Godfather and had been a wellwisher and advisor.

After leaving the Institute while doing K.G.George's debut film SWAPNADANAM, we met again. By that time he had already directed a Hindi film called LUBNA and was based in Mumbai. Later on he had been to Kerala and had directed AMBALAKKARA PANCHAYAT and few other films.More than Twenty years back he had asked me to work in one of his films, but I could not find enough dates to accomodate his request. In the meantime after several unsuccessful attempts at film making, he is planning a come back Malayalam film titled INGANYUM ORAAL. This time well in advance, he had my dates committed and we have started the shooting of the film from 7 th January 2010 onwards at Thiruvananthapuram. The switch on ceremony was performed by Shri.S. Kumar of New Theatres and the clap board sounded by the Hon. Kerala Minister Divakaran. The cast consists of Sai Kumar, Vinu Mohan, Raghavan, Mamu Koya, Indrans, Sreekumar, Praveena, Sarayu, K.P.A.C.Lalitha , Janaki, Kulapally Leela etc

Switch on by Shri. S. Kumar

From (L-R) Myself, S.Kumar, Minister Divakaran, Praveena,
Kabeer Raotherand Producer Sainudeen



Myself with Kabeer

Kabeer giving instructions as leading man Vinu Mohan watches

Isn't it great, that 42 years after meeting Kabeer Raothar , I am working with him in a film !

Meeting of old friends

Today, along with my Director Shashi Paravoor and Art Director Krishnan Kutty, I happened to go to Chitranjali Studios to see the floor for erecting a set for the shooting of a song sequence of our Malayalam film KADAKSHAM. On the floors, a film shooting was in progress, a film about Raja Ravi Varma directed by Lenin Rajendran and Cinematography by Madhu Ambat a good old friend of mine. Acting as Raja Ravi Varma was none other than Cinematographer Santosh Sivan!

From behind the camera he had come before the camera in a new role as performer and I found him really enjoying it, memorising his dialogues like a student preparing for his examinations! He is taking it as a challenge and is working hard. I am sure that he will really leave his imprint in this new field too and wish him all success!

It was also rare meeting of old friends and journalist Pallissery was keen on recording the occassion for posterity, this meeting of three Cinematographers - all FTII graduates.

Santosh, Myself and Madhu Ambat


Santosh as Raja Ravi Varma


In a Romantic Mood!