Mani Kaul - A personal remembrance

Mani Kaul

While many Film makers made compromises for their existence, Mani Kaul till the very last breath remained an uncompromising, individualistic creator of films. His films were far ahead of their times which will be always cherished by connoisseurs of good cinema.

I was a student at the Poona Film Institute when he had come there to screen his debut film USKI ROTI in 1970. The film was really something we have not seen before on the Indian screen, consisting of lengthy static camera shots and used only one 28 mm lens for the whole film. Many of us didn't like it at all in the first viewing , because of the static lengthy shots and slow pace of the film. But a repeated viewing made us to study the film more deeply, made us to think and not remain as passive viewers. The carefully composed images of light and shade created by K.K.Mahajan in Black and White was another factor that contributed much to the film. I got introduced to him after the screenings and soon became a friend. During his visits to the Institute, which were quite frequent we used to meet along with K.G.George and other friends under the Wisdom tree or at the canteen. You are sure to find him always surrounded by admiring students. Such was his magnetic personality.

At that time he was having a love interest with a Tamilian girl Lalitha, (whom he later on married) and he asked me to teach him a few words in Tamil so as to impress her. He used to write down words like " Naan unnai kadhalikkeren " ( "I love you ") on a piece of paper and memorize it with proper pronunciation. Later on I have also visited his house "Janaki Kutir" at Mumbai and enjoyed his and Lalitha's hospitality. Though he was my senior, he introduced me to his wife Lalitha as his Tamil teacher!

Ravi Menon who was my batch mate at the Institute had done the lead role in Mani's Hindi film "DUVIDHA" before he made his debut in Malayalam films with M.T Vasudevan Nair's National Award winning "NIRMALYAM" for which I was the cinematographer. Ravi used tell me a number of interesting incidents from his shooting experience with Mani Kaul's team. I lost touch with Mani for a number of years after I relocated to Thiruvananthapuram. A few years back I happened to meet him during the International Film Festival of Kerala and that was our last meeting. He passed away on 6 th July 2011.

I have lost an old friend and great soul and Indian Film Industry had lost a Master Film maker!

I sincerely pray for his soul to Rest in Peace

MT and P.N.Menon at the Institute

M. Azad who had passed out in Screen play writing earlier had started working as an assistant to the well known Malayalam Film Director P.N.Menon in the film KUTTIYEDATHI. The screen play was by the renowned Malayalam writer M.T.Vasudevan Nair, popularly known as M.T. Having worked with both of them Azad was instrumental in bringing them to the Institute for the first time. M.T.accompanied by Azad was there at the Institute as a Guest faculty for about a week interacting with the students and taking classes in screen play writing. He also used his spare time viewing some of the world classics at the National Film Archives. Azad being a very good friend and well wisher of me took particular interest in introducing me to these towering personalities from Kerala.

Myself and M.Azad

This meeting with M.T. was to have a great impact on my career later on. When in 1973, M.T.decided to make a film based on his short story "Pallivalum Kaal Chilambum" as NIRMALYAM, he thought of me and asked me to work as cinematographer in his maiden venture as Director. Even though he had known many renowned stalwart cinematographers in the Malayalam film industry who were too happy to work with him, he had chosen me , a comparatively new comer as his cinematographer. Azad who was also the Associate director was instrumental in having all the key technicians from the Film Institute itself - Editor Ravi and Sound Engineer Devadas and a Key role played by actor Ravi Menon. M.T.'s trust in the caliber of Institute Alumni never failed him and it is history that the film NIRMALYAM was chosen for the Golden Lotus as the Nation's Best Film. My association with M.T.continued in more films directed by him - BANDHANAM, VAARIKKUZHI. I became a very close friend to him and his family members and he considers me as a younger brother to him.

Shooting NIRMALYAM- Devadas sitting with MT ( dark glasses)

Azad's maiden film VILKANUNDU SWAPNANGAL was also scripted by M.T. and naturally I was the cinematographer. A major portion of the film takes place in Dubai and it was the first ever Malayalam film to have the location shooting at the Emirates.

MT, Sukumaran, Me and Azad during Dubai shooting

Azad once again came to the Institute, this time with Director P.N.Menon and his film KUTTYEDATHI. The film was well appreciated by the students and everyone liked the raw texture of the film and the rustic personality of P.N.Menon. I was also meeting him for the first time and found him to be receptive to experiments. Already he had Institute Alumni Ravi as his Editor at a time when the film industry in general had an aversion towards Institute graduates on the whole. He also had Madras Institute of Film Technology trained Ashok Kumar as his cinematographer.

Later on I did the cinematography for P.N.Menon directed Malayalam film UDAYAM KIZHAKKUTHANNE and for his Tamil film DEVATHAI (along with Ashok Kumar)

P.N.Menon ( in dark glasses) behind the camera

Film -UDAYAM KIZHAKKUTHANNE

With P.N. Menon

Meeting an Old Friend - G.S.Panikkar

While I was in Ottapalam recently for the shooting of the film YUGAPURUSHAN, I rang up an old friend from my Institute days, my Senior, G.Sadasiva Panikkar ( G.S.Panikkar – 1970 – Direction Batch ). For the past few years he had been away from Trivandrum as he had settled at Cheruthruthy on the banks of the picturesque Bharathapuzha river, a popular location for many Malayalam films.

He had graciously come down to my hotel along with his son and we spent a few hours together reminiscing about our friends, films of the past and the present trends in the Film Industry.


I was the cinematographer for his maiden venture as Producer and Director of the Black and White Malayalam film AEKAKINI ( 1978) It was a tiny budgeted film made by a bunch of Film Institute graduates – Ravi Menon ( actor) , Suresh Babu and Raman Nair ( Editors), Panikkar and myself.


It was based on a short story by eminent Malayalam writer M.T.Vasudevan Nair. The film was well appreciated and acclaimed when it was released.

Myself and G.S.Panikkar

Ravi Menon - A Memory

It is with great sorrow that I came to know of the death of my dear friend and Batchmate from the Acting Course (1968-69) Ravi Menon. He died today ( 24 th November,2007) at Peruthalmanna, Kerala. He was 57.

He was one of the few Malayali actors who passed out from the Institute. He was always jovial and in high spirits and remained a chronic bachelor! I was the cinematographer for his debut film NIRMALYAM ( Malayalam -1973, Director : M.T.Vasudevan Nair). The film won the National Award for the Best Feature Film. He had also acted inthe Hindi film 'DUVIDHA' (1973), directed by Mani Kaul. I was also associated with him in another Malayalam film Directed by G.S. Panikker ( 1967-70 Batch) AEKAKINI (1978) and a few other films. The last film we worked together was in the Malayalam film "VARNAKKAZHCHAGAL" (2000)

A few days back a TV channel wanted to do a programme on the film "NIRMALYAM" and the Producer was telling me that though not keeping well, Ravi had agreed to participate in it. While looking towards a reunion of Institute friends, the cruel hands of fate intervened to snatch him away for ever.

As a homage I am putting the photograph of him, from the Film "NIRMALYAM" and Pray for the Peace of his Soul.